** 1\2 (out of ****)
Is "April Fool's Day" (1986) a prank worth falling for?
The 1980s are considered by some - mostly those that lived through the decade and bask in nostalgia - to have been a creative peak for the horror genre. The decade brought us a seemingly endless supply of slasher movies featuring Michael Myers, Jason Voorhees and Freddy Krueger, arguably the three most iconic movie villains of the decade. But to quote Charles Dickens, "it was the best of times, it was the worst of times". The best meaning, the genre enjoyed great popularity. The worst meaning, the movies weren't very good and the various franchises quickly became tiresome. The market place became over saturated, as often happens in the greedy hands of movie studio executives and producers - cash in quickly on the latest fade!
For some that makes "April Fool's Day" stand out among other horror movies from the decade. The movie has earned a kind of cult status. Much like a full decade later, when Wes Craven and Kevin Williamson gave us "Scream" (1996), here is a movie that wanted to be hip and in on the joke. While there aren't exactly big laughs in the movie it does have a playful quality to it, at times. It would seem screenwriter Danilo Bach, perhaps best known for "Beverly Hills Cop" (1984), wanted to play around with horror movie conventions and infuse some new blood into the genre (a deliberate choice of words).
I can't say the experiment is a resounding success but it's not a failure either. It falls somewhere in a murky middle. I've watched the movie a few times and each time my reaction has been the same. It doesn't succeed as a comedy or as a horror movie. It's not fair to compare the movie to "Scream" because contemporary critics wouldn't have been able to at the time, unless of course they were clairvoyant but "Scream" is the template for how this hybrid can be pulled off correctly. "Scream" was smart and hip. It commented on the genre while also working within the genre's conventions. "April Fool's Day" doesn't seem as ambitious. Even Craven's own "New Nightmare" (1994) was more genre defying than "April Fool's Day".
A big problem for "April Fool's Day" is it shows us its cards too quickly leaving viewers fully aware of what to expect. This takes away any and all suspense. The opening shot of the movie looks like a home movie or fake documentary as a pretty young female, with a phony Irish accent and exaggerated Irish name, explains who she is to the camera and her interests. She then quickly makes a vulgar joke and declares "April Fool's"! If that doesn't explain everything to you, the movie goes for a one-two punch as the movie's credit sequence features a home movie of a young girl's birthday party. Sweet, tender music plays in the background, creating a sense of nostalgia, as the young girl opens one of her gifts. It is a jack-in-the-box toy. Her family looks around her as she winds up the toy and instead of a Jester popping out a monster does. The girl screams while the family laughs. And there you have it. The entire set-up of "April Fool's Day". Everything is a prank. It's all fun and games. From that point forward how can we take anything we see in the movie serious? The movie's formula has been established after two sequences (!). It is all set-up and prank. This is done repeatedly in the movie, reinforcing the concept nothing is to be taken serious.
The young girl grows up to be Muffy St. John (Deborah Foreman) and perhaps because of the birthday party incident turns out to be a prankster and an apparent lover of April Fool's Day as she invites a group of friends over to her wealthy estate to celebrate and spend the weekend together. Those friends include sex kitten Nikki (Deborah Goodrich), horndog Arch (Thomas F. Wilson), social climber Harvey (Jay Baker), the studious Nan (Leah King Pinsent), amateur filmmaker (?) Chaz (Clayton Rohner) and the committed couple; Kit (Amy Steel) and Rob (Ken Olandt).
The group catches the last ferry on the island to the secluded St. John estate. While en route a prank seems to have resulted in a near deadly accident when one of the ferry boat workers jumps into the water, to rescue one from the group, and gets hit by the ferry when he is unable to move out of the way in time. Though the worker is immediately rushed to the hospital the friends can't help but feel guilty and responsible. They will soon begin to question if the worker will seek revenge.
Fun and games continue however as everyone is on the receiving end of one of Muffy's pranks and events soon take a bizarre turn when each guest finds mysterious items awaiting them in their rooms. Harvey for example finds a newspaper clipping about a car accident. Do each of these guest have a hidden secret from their past that someone is trying to expose? Could it be the ferry boat worker behind all of this?
This premise alone, if somewhat predicable, could have made a more interesting, scary and suspenseful movie. Fast forwarding into the future again, it could have been a kind of precursor to "I Know What You Did Last Summer" (1997). Ironically, the movie's director, Fred Walton, would go on to direct "I Saw What You Did" (1988) about two girls that make a prank call to the wrong man which was a definite precursor to that movie. Unfortunately, it is not an avenue the movie fully explores. In fact it is the avenues the movie doesn't explore that could have made this a better movie.